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ra>hai,what's up all of you.ihope,you can enjoy your life.today,iwant to explain you,how to be a super gitaris.

first,you must have a giutar,youmay use electric,or acoustic guitar
secondly,you have to do some exercise
then,you have to master some technics,
hre are some technic to be a fenomenal guitarist

Tapping is a playing technique generally associated with the electric guitar, although the technique may be performed on almost any string instrument. There are two main methods of tapping: one-handed or 'ordinary' tapping, and two-handed tapping.

It may be considered an extended technique, in that it is executed by using the fingers of one hand to 'tap' the strings against the fingerboard, thus sounding legato notes; often in tightly synchronized conjunction with the other hand. Hence, tapping usually incorporates pull-offs or hammer-ons as well, whereby the fingers of the left hand play a sequence of notes in synchronisation with the tapping hand.

The Chapman Stick is an instrument built primarily for tapping, and is based on the Free Hands two-handed tapping method invented in 1969 by Emmett Chapman where each hand approaches the fretboard with the fingers aligned parallel to the frets.

The Hamatar, Mobius Megatar, Box Guitar, and Solene instruments are other instruments designed for the same method, and the Bunker Touch-Guitar is designed for the two-necked tapping technique developed by Dave Bunker in 1958, but with an elbow rest to hold the right arm in the conventional guitar position. The NS/Stick and Warr guitars are also built for tapping, though not exclusively. These instruments use lower string tension and low action to increase the string's sensitivity to lighter tapping.

Some guitarists may choose to tap using the sharp edge of their pick instead of fingers to produce a faster, more rigid flurry of notes in a style closer to that of trilling

Hammer-on is a stringed instrument playing technique performed (especially on guitar) by sharply bringing a fretting-hand finger down on the fingerboard behind a fret, causing a note to sound. This technique is the opposite of the pull-off. Passages in which a large proportion of the notes are performed as hammer-ons and pull-offs instead of being plucked or picked in the usual fashion are known in classical guitar terminology as legato phrases. The sound is smoother and more connected than in a normally picked phrase, due to the absence of the otherwise necessity to synchronise the plucking of one hand with the fingering on the fretboard with the other hand; however, the resulting sounds are not as brightly audible, precisely due to the absence of the plucking of the string, the vibration of the string from an earlier plucking dying off. The technique also facilitates very fast playing because the picking hand does not have to move at such a high rate, and coordination between the hands only has to be achieved at certain points. Multiple hammer-ons and pull-offs together are sometimes also referred to colloquially as "rolls,"^] a reference to the fluid sound of the technique. A hammer-on is usually represented in guitar tablature (especially that created by computer) by a letter h. A rapid series of alternating hammer-ons and pull-offs between a single pair of notes is called a trill.